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Leadership in Action 2011

Have you ever found yourself completely exhausted and completely energized at the same time? A good concert can leave you physically worn out from dancing (or getting smashed against the barricades, depending on your musical taste) and otherwise charged up–but what I’m talking about is being completely worn out in every sense while at the same time believing that with a couple good nights of sleep, you’ll not only be ready to take on everything but also want to throw yourself into whatever challenges you can find.

Leadership is . . .

Those of you who follow me on Twitter will have seen me using #lia11: this was the hashtag for Leadership In Action 2011, a three-day course on leadership that involved lectures, practice, reflection, shared coaching, and even a pub quiz! Now I’m sure some of you have already stepped into skeptical mode; I have to admit that when I signed up, I did so a bit cynically. Yes, I wanted to become a better leader, but I also figured that if the event turned out to be less-than-useful, I could sit in the back of lectures and draft or proofread—and that in case having a few days away from home during which I didn’t have to cook or clean would be a plus in any case. As it turns out, the only work I got done on my thesis was a page I wrote in my hotel room the night before the event began.

. . . The Courage to Stand Out

I was engaged from the first presentation, during which were shown a clip of man dancing wildly by himself  for a while until he was joined by others. At first there were only a few but eventually, the dancing became a major happening. We were then asked to think about what allowed that first dancer to lead. I know a lot about being the lone dancer. The discussion that followed also drove home to me the importance of celebrating followers and letting them lead sometimes; what I didn’t pick up on from watching the video but that others pointed out was that the first dancer made clear that he welcomed his first few followers and even sometimes copied their moves. This fit in well with one of the areas the assessment I was asked to take prior to attending the course told me I needed to work on: awareness of others’ needs.

For the most part, our days alternated between lectures and opportunities to lead. During the practical sessions, we would break up into small groups (there were 60 attendees total, and each time we broke out into these small groups, we were with different people), given a scenario that focused on particular leadership contexts (leading in a crisis, leading from a distance, etc.). My turn to lead came on the third day during the session on managing multiple tasks. By then, I had a seen a few people use a very light touch to lead successfully, and I decided that I wanted to try out that approach. As I had a few people with very strong extraverted personalities, I let them take the lead on specific tasks (such as guiding blindfolded “sheep” into a pen made of tape on the carpet) while I stepped back to monitor how the group was running both as a team and in terms of the larger goal (which was to score as many points as possible by completing the smaller tasks).

The most important lesson I learned from that session was that I am perfectly capable of leading without running everything. The second most important lesson was that it is important for me to communicate more about why I do what I do as a leader: I had a plan for how to progress through the smaller tasks, but the rest of the group didn’t realize it. Finally, I also learned that I can be a little too harsh on myself. During the last five minutes of the session, when we broke into smaller groups to complete smaller tasks, I felt panicked but no one noticed.

. . . A Pub Quiz?

At the end of the first day, when we had realized just how busy and full the following two days would be, we were given one more task in an assigned group: to take £100 and use it to earn as much money a we could for a charity of our choosing over the remaining time. We balked a bit at this task: we thought we wouldn’t have the energy to do much, but eventually our group decided to run a pub quiz. Once we found a pub that would let us hold it there, we bonded over a pint. We then had less than 24 hours to put together the questions and publicize the event. In the end, we raised about £50 and were able to involve not only our coursemates but also members of the local community. Perhaps the most important service we did for the charity we chose, CODA International, was to introduce it to people who had never heard of it before.

. . . Doing More than You Thought You Could

Over the course of three very long days, we all discovered things we could do that we had not thought possible. We also found our breaking points and learned a bit about when to take a break (as most of us are PhD students, this may be one of the most important lessons). At the end of the final evening, I teared up a little bit when the end-of-course slideshow closed on this quote:

Our deepest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure. It is our light, not our darkness that most frightens us. We ask ourselves, Who am I to be brilliant, gorgeous, talented, fabulous? Actually, who are you not to be? You are a child of God. Your playing small does not serve the world. There is nothing enlightened about shrinking so that other people won’t feel insecure around you. We are all meant to shine, as children do. We were born to make manifest the glory of God that is within us. It’s not just in some of us; it’s in everyone. And as we let our own light shine, we unconsciously give other people permission to do the same. As we are liberated from our own fear, our presence automatically liberates others. -Marianne Williamson

Between this, and the rest of the week, I realized that I not only had been playing small but also had let people convince me that I was less than I was.

I danced with abandon at the end-of-course disco and hardly napped before I had to catch the train. I left exhausted but ready to apply what I learned and able to believe that I can make things better.

 

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A Decade

Ten years ago I still got carded every time I went into a bar. I had a state ID but not a passport (I still don’t have a driver’s license). I had never even imagined that I would or could end up living in Japan, China, and (now) Northern Ireland. And I had rarely flown. So it was quite a coincidence that I had landed in Oakland just a little more than a week before 9/11.

It was a terrible coincidence: I was flying home from my father’s memorial service. My father, though you never would have known it from his accent, grew up in Jersey City, New Jersey. He cheered for the Yankees. He was twelve years old when they broke ground for the construction of the World Trade Center.

It was a terrible coincidence. He died the day before the orientation for my Poetics MFA program; I had only moved to the Bay Area a few months earlier. I attended my first class the day after the memorial service. Not many people in the program ever knew that. How could they? It wasn’t as if I could introduce myself by saying “Hi, I’m Elizabeth. My daddy just died.” His death came up in a few poems, but workshops run smoother if you never ask each other what is or isn’t fictional. Start asking that question and suddenly certain kinds of writing become unsafe to bring in—it’s easier to confess to a faceless reading audience than to flesh faces you see every week at the very least.

Of course, we also spent a lot of time in workshop—in all our courses—talking about how poetics could and should respond to 9/11 and the wars that followed. My life and my poetics would have been in turmoil regardless of 9/11. But when something so dramatic happens so soon after you lose someone, it draws a line between your life and theirs. And that line turns out to be a chasm.

Someone who had been alive less than a month earlier never saw the towers fall. (I heard they had fallen before I saw it since I didn’t check the news before heading off to my job selling opera season subscriptions.) My father never knew about the wars in Afghanistan and Iraq which I spent so much of my time in San Francisco protesting. (I doubt he would have been impressed at my getting arrested for the cause, but who really knows?) He never knew that I finished my MFA or moved overseas or started working on a PhD.

It’s normal to be able to create that kind of list after a decade, but when something like 9/11 happens so soon after you lose someone, the gap opens up too fast. It complicates grief. You get that sense of distance, as if you’ve moved on to the point where missing that person has become just another part of you—except not enough time has passed, so the loss is still raw. You’re never sure how much you need to grieve. Or how to grieve in a world so different from the one in which you knew them.

But eventually your grief ends up where all grief ends up: a small sense of loss, neatly bound by rituals and monuments which are, for the most part, enough to keep you from remembering that the loss is always with you.

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The Birds & The Trees

Sunset from my Window

by EKSwitaj on Flickr

When I was flat-hunting last summer, I fell in love with the apartment where I write this now because of the view. While washing my dishes or waiting anxiously for the kettle to boil so I can make another French press full of coffee (I’ll let you guess which one of these I do more often), I can see rooftops and green hills beyond them—except at night when city and suburban lights become the highlight. From my desk, in my front room, I can watch the sunset beyond a stone church steeple and, yes, more green hills.

Collared Doves in snowy branches

by DH Wright on Flickr

What I didn’t expect was the way the slender trees that line this block of brick row houses draw birds to them. Every day, they break their flights in the branches: for most, the trees here serve only as a place to rest and sing a bit or find a tasty insect.

This past spring, a pair of collared doves set up a nest, but they abandoned it before even laying any eggs. Maybe the streetlights got to them, or they wisely left before the most common avian visitor to the trees could prey on their young.

The magpie

by Steve-h on Flickr

Magpies, with patches of shimmering blue on their wings, love this block. Usually, I hear them before I see them. They declare whatever it is they have to declare, and I look up from the screen to see them preening in the trees or, on occasion, on my window sill. The magpies are the only birds with the courage to get that close.

Because of the reputed intelligence of magpies, I sometimes ask them for their opinion on my thesis. I try not to take it too personally when their calls sound like laughter.

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What a Difference a Day Makes

Yesterday on my run, I saw a heron on a snag. At the sound of overexcited dogs running up the path above the river, it spread its wings but did not flee.

Today on my run, I saw a pigeon on the sidewalk. It had a round, bloody hole in its chest with bits of viscera and vertebrae sticking out.

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Magdalene & the Mermaids

Magdalene & the Mermaids

Magdalene & the Mermaids

Elizabeth Kate Switaj's First Collection of Poetry

Available From Reviewed at Sample poems at
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  • @KristenSahara
    Agreed. I try to write poems with interesting imperfections instead.
    2012/05/18 01:15
  • @nomopoetry
    @dagny Then like I said you'll love Lindley Murray.
    2012/05/17 22:46
  • @nomopoetry
    @dagny OK, if you want to cling to Strunk and White, that's your business.
    2012/05/17 22:18
  • @nomopoetry
    @dagny That would mean striking most of the book. It's not just dated; it was wrong to begin with.
    2012/05/17 22:15
  • @nomopoetry
    @dagny But surely that can be taught without the baseless prescriptivism wrapping?
    2012/05/17 22:13
  • @nomopoetry
    @dagny Formative of what exactly? Linguistic prejudices unrelated to real usage? Why not go all the way & read Lindley Murray?
    2012/05/17 22:51
  • @dagny
    @nomopoetry Argh, please, no. Strunk & White is terrible. See, for instance, and
    http://t.co/GLQYqo3N
    2012/05/17 22:10
  • "Go inside a stone / That would be my way." #poem #poetry
    http://t.co/NNbXR1N3
    2012/05/17 20:25
  • "Writing while facing a wall, incidentally, seems to me the perfect metaphor for being a writer." - Francine Prose
    http://t.co/N42f866H
    2012/05/17 19:18
  • Read an old post: Poem: A Popular Website Puts up a Poll Asking if a Journalist is Responsible for Her Rape
    http://t.co/ogNVIbGz
    2012/05/17 14:12